
Those of you who read my last blog will remember that I was nearly finished with the second of Stieg Larson's trilogy of books - The Girl Who Played with Fire. Well now I'm done. I have since learned that this trilogy is being referred to as the "Millenium" trilogy.
Let me back up a bit and talk about the background of these books. The first was published in 2004. They've been hugely succesful worldwide and have launched a thousand movies -- or at least 9. The author's story is dramatically tragic in that he died only a few months before the first book was published. So, basically he didn't get to enjoy even a second of the phenomenal success. I'm very pissed off at God on Stieg's behalf.
As I mentioned in my half-assed blog, the book is about Lisbeth Salander, a 4'11" 90-pound girl with a penchant for Billy's Pan Pizza and being badass. She's taken more than her share of beatdowns from life. One of her predators says that she just looked like a victim, so he felt he had to prey on her. There's something that I really don't like about the author putting that in there. Anyway, she's a bit nutty and her social skills make Rainman look outgoing and easy to talk to. But she's a bloody genius at almost everything and has a strong sense of right and wrong.
The first book is kind of self-contained. It introduces you to Lisbeth and her friend (as much as she's capable of having friends), Mikael Blomkvist. Blomkvist is an idealistic reporter who works for the magazine Millenium. In the first novel they meet and together work on solving a really interesting mystery about a young girl who disappeared 32 years earlier. I won't go into the plot of the first book too much, but it's important to note that during their investigation they discover a truly twisted family - like Texas Chainsaw Massacre family twisted - only in Sweden and with a lot more money.
The second book is all about Lisbeth. The first book left you with many questions about pieces of her past that were merely alluded to. The second book answers most, if not all, of those questions. She refers to a time in her life when she was 12 years old and "All the Evil" happened. You find out what "All The Evil" was in the second book. By the way, I think I need to start using that phrase more in my everyday life to vagulely refer to the unspeakable hardships I've had to endure. Example:
My wrist used to be straight. Then, "All The Evil" happened and now I'm hideously deformed.
Our government used to be semi-tolerable until "All The Evil" happened in the 2000 Election and He Who Must Not Be Named became President (slipped in some Harry Potter there too - bonus!)
My career seemed to be on track and then All The Evil happened with the economy and I haven't had a pay raise since.
Anyway, in GWPWF Lisbeth is enjoying new-found wealth that she acquired in the first book. She suddenly has like a quarter of a billion kronor. This is the equivalent of about $40 million US. It's a clumsy conversion rate -- something like .14 cents = 1 kronor so I never really know how much money she has. But even though a kronor isn't what it used to be, hundreds of a millions of them do add up and Lisbeth is living the good life. I also really like the word kronor and think we should start using it to refer to money in general. For example, "I'm working overtime, hoping to pick up some extra kronor this weekend." or "I made mad kronor bartending at the Vault last night" (shout out to Janell!)
The book starts out kind of fun with Lisbeth spending her kronor on a crazy fly apartment and furnishing it with a spending spree at IKEA. She has also spent the last year travelling around the world which would also be awesome. Little do we know that Lisbeth's carefree days are about to come to an end -- cue dramatic music.
Here's the problem with these books. They have a lot of improbable coincidences. I mean, I know Sweden isn't a huge country but the odds that Salandar and Blomkvist keep getting mixed up with the same people through independent means seem kind of long. Sweden has a pretty low number of violent crimes each year, and most of them seem to be perpetrated on Lisbeth. Blomkvist is the luckiest journalist alive, getting scoops of the century in his lap every couple of months. That kind of thing.
Nonetheless Stieg did his best to make the convenient associations seem believable and it didn't interfere with my enjoyment too much.
So in GWPWF Lisbeth is the subject of a nation-wide manhunt for committing a crime that you're reasonably certian she didn't commit. The worst part about this book is that there are about 150 pages where Lisbeth just disappears and you're forced to get to know a whole new group of characters who you aren't interested in and follow them as they try to piece together who Lisbeth is from the few clues they can find. One of the cops is the stereotyical sexist, aggressive pig who literally can't get one sentence out without first dunking it in hostile bigotry. That's one thing that I don't forgive -- the one-dimensional character. No Stieg, I can't forgive you that.
There's one character in this book who's really interesting. He's a "giant" - they call him that several times -- who can't feel pain. He has Homer Simpson disease. So you can beat the living hell out of him and he won't back down. His own punches are like Drago's in Rocky IV - enough to kill a person with one blow (R.I.P. Apollo.) His weapon of choice is a chainsaw. Anyway, they paint a pretty vivid picture of the guy and I don't mind telling you after reading about him for several pages a girl can sure get spooked by the motion sensor light in the alley outside her garage/house inexplicably coming on at 1:30 in the morning.
The main difference between this book and GWTDT is that the story doesn't really end and immediately carries into book 3. You could read Book 1 and be done, but Book 3 is definiely required reading if you're going to pick up Book 2.
Some Thoughts:
-- I liked GWTDT better than GWPWF. The story was tighter, more clever, and more realistic.
-- GWPWF finds Lisbeth discovering yet another horrible Texas Chainsaw Massacre-esque dysfunctional family. The little lady has zero luck.
-- I think Stieg started to fall in love with Lisbeth a bit in GWPWF. She's becoming a superhero instead of just a very interesting person. She's just too awesome -- wicked smart, an amazing fighter, always, always one step ahead of the dozens of people who are after her, uncompromisingly moral...it starts to feel like he's having an A Few Good Men moment with his main character.
-- Blomkvist is also a little too perfect. I think Stieg maybe wanted to be Blomkvist -- cool, smart, open-minded, brave, and good with the ladies
Lest you think I'm being a hater, I did like this book. I burned through it pretty quickly and have already taken a chunk out of the third one. I recommend the whole series, just felt it was my duty to pick on a dead man's greatest work...that's all...